Had my friend Alister Mori come through the studio to document a selection of album artwork.

Most of this work typically lives on screens or gets experienced one project at a time, so pulling it all out into one space shifts the perspective. Once it’s laid out, you start to see the system behind it—color palettes, materials, typography, and recurring ideas that carry across different artists and releases.

The record crate has become an informal portfolio. Years of work pressed up and in rotation. Each piece tied to a specific moment, but together forming a larger visual language.

A simple documentation of the archive.